Filipino Folk Dance in the Academy: Embodied Research in the work of Francesca Reyes Aquino, Sally Ann Ness, and Benildanze

Patrick, Declan (2014) Filipino Folk Dance in the Academy: Embodied Research in the work of Francesca Reyes Aquino, Sally Ann Ness, and Benildanze. Asian Theatre Journal, 31. pp. 399-416.

[thumbnail of Filipino_Folk_Dance_in_the_Academy_reformatted[1] final (1).docx] Text
Filipino_Folk_Dance_in_the_Academy_reformatted[1] final (1).docx

Download (41kB)

Abstract

This article addresses the work of researchers Francesca Reyes Aquino, Sally Ann Ness and Benildanze, all of whom use embodied practices to study Filipino folk dance in the academy but with divergent methodologies: Aquino uses ethnography, Ness phenomenology, and Benildanze practice as research. It examines the processes by which dancers have moved from functioning rituals to representative artifacts and research tools. These processes reveal a complex ad constantly developing relationship between dance practice and the academy.

Item Type: Article
Additional Information and Comments: This article first appeared in volume 31, 2014 issue of Asian Theatre Journal published by the University of Hawai‘i Press. Copyright remains with the author.
Faculty / Department: Faculty of Creative Arts & Humanities > School of Creative and Performing Arts
Depositing User: Rachel Foster
Date Deposited: 14 Apr 2016 16:09
Last Modified: 19 May 2021 10:11
URI: https://hira.hope.ac.uk/id/eprint/631

Actions (login required)

View Item View Item