Items where Subject is "M Music"
- Liverpool Hope University Subject Areas (355)
- M Music and Books on Music (24)
- M Music (24)
- M Music and Books on Music (24)
Bertali, Antonio (2013) Antonio Bertali 1605–1669, Dramatische Sakralwerke. Denkmäler der Tonkunst in Österreich (DTÖ), Wien.
Blackburn, Manuella (2011) The visual sound-shapes of spectromorphology: an illustrative guide to composition. Organised Sound, 16 (01). pp. 5-13. ISSN 1355-7718
Boschi, Elena and McNelis, Tim (2012) ‘Same old song’: on audio-visual style in the films of Wes Anderson. New Review of Film and Television Studies, 10 (1). pp. 28-45. ISSN 1740-0309
Brocken, Michael (2010) Granada TV, Johnny Hamp, And The Blues and Gospel Train,: Masters of Reality. In: Popular Music and Television in Britain. Ashgate popular and folk music series . Ashgate, Farnham, pp. 197-212. ISBN 9780754668640
Brocken, Michael (2012) Green Day: Rock Discourse and Dwindling Authenticities. Revista Brasileira de Estudos da Canção (2). ISSN 2238-1198
Brocken, Michael (2010) Other voices : hidden histories of Liverpool's popular music scenes, 1930s-1970s. Ashgate popular and folk music series . Ashgate, Farnham. ISBN 9780754667933
Brocken, Michael and Davis, Melissa (2012) The Beatles Bibliography:A New Guide to the Literature. The Beatle Works Limited, Manitou Springs, Colorado. ISBN 9780615670652
Erhardt, Tassilo (2013) Der ehrsam undt khunstreich Antonius Bertalli. Eine biographische Skizze. Studien zur Musikwissenschaft (57). p. 93.
Erhardt, Tassilo (2013) Sakralmusik im Habsburgerreich 1570-1770. Sitzungsberichte der philosophisch-historischen Klasse, 824 . Austrian Academy of science Press, Vienna.
Erhardt, Tassilo (2012) 'senza che il Maestro di Capella ne sappia cosa alcuna'--some new light on imperial court repertory in the collection of Karl von Liechtenstein-Castelcorno at Kromeriz. Early Music, 40 (4). pp. 593-604. ISSN 0306-1078
Hamer, Laura (2012) Negating Gender Politics and the Challenging the Establishment: Women and the Prix de Rome in Musical Composition, 1919-1939. Women's History Magazine (70). pp. 4-12. ISSN 1476-6760
Hamer, Laura (2011) On the conductor’s podium: Jane Evrard and the Orchestre féminin de Paris. Musical Times (152). pp. 81-100. ISSN 0027-4666
Hamer, Laura and Murray, Christopher Brent (2013) Olivier Messiaen and the Prix de Rome as rite of passage. In: Messiaen perspectives. 1 Sources and influences. Ashgate, Farnham, pp. 13-44. ISBN 9781409426950
McGrail, Peter (2013) Daniel and genre Confusion: The Strange Case of the Burning Fiery Furnace. Relegere: Studies in Religion and Reception, 3 (1). pp. 41-56. ISSN 1179-7231
Percy, Ian (2011) Acousmatic Chakras. [Composition]
Percy, Ian (2008) An Acoustic Mandala for the Fourteenth (Tibet for Tibet) for small orchestra and percussion ensemble. [Composition]
Percy, Ian (2009) An Instant Conception for small ensemble and percussion (10 players). [Composition]
Percy, Ian (2012) Rotations and Resonances for amplified quartet, pre-composed tape, amplified piano resonances and interactive sound. [Composition]
Piasecki, Simon and Wilsmore, Robert (2011) Authentic Replicants:Brothers between Decades between Kraftwerk(s). In: Kraftwerk: Music Non-stop. Continuum, New York. ISBN 978-1-4411-9136-6
Pratt, Stephen (2013) Chants du Printemps, for Chamber Orchestra. [Composition]
Pratt, Stephen (2012) Entre Nous. [Composition]
Pratt, Stephen (2011) On Reflection, for ensemble. [Composition]
Pratt, Stephen (2008) Uneasy Vespers II. [Composition]
Sanna, Alberto (2013) Arcangelo Corelli and Friends: Kinships and Networks in the Papal States. Early Music, 41 (4). pp. 645-655. ISSN 0306-1078