Framing the Drift and Drifting the Frame: Walking with Wrights & Sites

Darby, Kris (2013) Framing the Drift and Drifting the Frame: Walking with Wrights & Sites. New Theatre Quarterly, 29 (01). pp. 48-60. ISSN 0266-464X

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Abstract

The proliferation of pedestrian performances since the beginning of the twenty-first century has led to an active rethinking of the defining parameters of site-based practice. Does the action of walking deterritorialize or strengthen the boundaries of site, or is the terming of ‘site’ itself redundant for these types of performance? In this article Kris Darby examines one of the most influential types of walking practice on this mode of performance, that of the dérive (‘drift’), and its subsequent adoption and renovation by arts collective Wrights & Sites. Beginning with a contextualization of ‘drifting’ within the Situationist International, this study then focuses on key terms derived from the collective's use of this type of walking in their performance work. The three types of drifting defined by Wrights & Sites – reconnaissance, group, and simultaneous – are then analyzed, illustrating how, through ‘framing’, the defining parameters of site begin to shift further. The article concludes by suggesting that Wrights & Sites’ drifting can be termed situation-specific rather than site-specific, due to its movement across multiple places. Kris Darby is a PhD student in the Drama Department of the University of Exeter, whose research concerns an expansion of the defining properties of pedestrian performance.

Item Type: Article
Keywords: situationism; drifting; walking; flâneur; mythogeography; mis-guide
Subjects: P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater
Faculty / Department: Faculty of Creative Arts & Humanities > School of Creative and Performing Arts
Depositing User: Susan Murray
Date Deposited: 06 Mar 2014 09:48
Last Modified: 19 May 2021 10:11
URI: https://hira.hope.ac.uk/id/eprint/243

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