Conclusion

Zontou, Zoe (2026) Conclusion. In: Performing Recovery: Addiction, Vulnerability and the Ethics of Representation. Routledge, pp. 149-154.

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Abstract

This concluding chapter reflects on two decades of engagement with recovery arts, drawing together insights from sustained collaboration with artists in recovery. Using Mire Lee’s Open Wound installation as a guiding metaphor, it crystallizes the book’s central theoretical contribution: the concept of critical vulnerability is reframed through the lens of vulnerable worldbuilding, understood simultaneously as a structural condition, an ethical resource, and a creative methodology. The chapter also addresses the author’s positionality, reflects on key learnings from each contributor, and outlines future pathways for embedding recovery arts within mainstream cultural institutions. Fundamentally, it makes the case for embracing the “ebb and flow of life” not only as an ethical orientation, but as a radical political gesture toward more inclusive, responsive, and creatively generative cultural futures.

Item Type:	Book Section
Faculty / Department:	Faculty of Creative Arts & Humanities > School of Creative and Performing Arts
SWORD Depositor:	RISE Symplectic
Depositing User:	RISE Symplectic
Date Deposited:	22 May 2026 15:06
Last Modified:	22 May 2026 15:06
URI:	https://hira.hope.ac.uk/id/eprint/4921

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