Zontou, Zoe (2026) Fallen Angels Dance Theatre. In: Performing Recovery: Addiction, Vulnerability and the Ethics of Representation. Routledge, pp. 62-79.
Full text not available from this repository.Abstract
This chapter investigates the transformative potential of vulnerability in socially engaged performance, with a focus on Fallen Angels Dance Theatre, the United Kingdom’s only dance theater company supporting individuals in addiction recovery. Through workshops and public performances, participants are encouraged to actively embrace vulnerability, fostering personal growth, agency, and collective storytelling. Drawing on participant testimonies and my collaborative work with Fallen Angels from 2014 to 2020, this chapter illustrates how vulnerability can humanize and destigmatize experiences often marginalized by dominant social and cultural narratives. Building on theoretical frameworks that conceptualize vulnerability as relational, ethical, and transformative (Gilson, 2014; Braidotti, 2006), the chapter explores how creative practice can reframe vulnerability as a catalyst for empathy, presence, and mutual understanding. By positioning vulnerability at the center of artistic methodology, Fallen Angels Dance Theatre challenges reductive associations of vulnerability with weakness, demonstrating its capacity to empower participants and reshape audience perceptions. The analysis highlights the broader societal implications of such practice, emphasizing the role of the arts in cultivating inclusive spaces, ethical responsiveness, and alternative narratives of recovery and human connection.
| Item Type: | Book Section |
|---|---|
| Faculty / Department: | Faculty of Creative Arts & Humanities > School of Creative and Performing Arts |
| SWORD Depositor: | RISE Symplectic |
| Depositing User: | RISE Symplectic |
| Date Deposited: | 22 May 2026 14:04 |
| Last Modified: | 22 May 2026 14:04 |
| URI: | https://hira.hope.ac.uk/id/eprint/4920 |
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