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Number of items: 7.


Hamer, Laura (2017) 'Every impulse and spring of art seems to have died in me, except for music': Gerard Manley Hopkins as Composer. The Musical Times. (Accepted for Publication)

Hamer, Laura and Dingle, Christopher (2014) False Memories and Dissonant Truths: Digital Newspaper Archives as a Catalyst for a New Approach to Music Reception Studies. Proceedings of the Digital Humanities Congress 2012.

Hamer, Laura (2012) Negating Gender Politics and the Challenging the Establishment: Women and the Prix de Rome in Musical Composition, 1919-1939. Women's History Magazine (70). pp. 4-12. ISSN 1476-6760

Hamer, Laura (2011) On the conductor’s podium: Jane Evrard and the Orchestre féminin de Paris. Musical Times (152). pp. 81-100. ISSN 0027-4666

Book Section

Hamer, Laura and Murray, Christopher Brent (2013) Olivier Messiaen and the Prix de Rome as rite of passage. In: Messiaen perspectives. 1 Sources and influences. Ashgate, Farnham, pp. 13-44. ISBN 9781409426950

Hamer, Laura (2012) Armande de Polignac: an aristocratic compositrice in fin-de-siècle Paris. In: Women in the Arts in the Belle Epoque - Essays on Influential Artists, Writers and Performers. McFarland and Company Inc, Jefferson, North Carolina and London, pp. 165-185. ISBN 9780786460755

Conference or Workshop Item

Brocken, Michael and Hamer, Laura Mary Hamer: A hidden history of popular music in Liverpool. In: Jazz Utopia International Jazz Conference, 15-17 April 2016, Birmingham City University. (Unpublished)

This list was generated on Sat Jan 18 01:01:16 2020 GMT.