Concours des vitraux de Jeanne d’Arc: The Multiple Ways of Materializing the Past in Late Nineteenth-Century French Stained Glass

knott, Stephen (2014) Concours des vitraux de Jeanne d’Arc: The Multiple Ways of Materializing the Past in Late Nineteenth-Century French Stained Glass. West 86th: Journal of Decorative Arts, Design History and Material Culture, 21 (2). pp. 192-215. ISSN 2153 5531

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Abstract

In 1893 the competition to design ten stained glass windows for the Cathédral Sainte-Croix, Orléans, depicting the life of Joan of Arc, concluded with a traveling exhibition held in Paris and Orléans. This little-known event might have been entirely forgotten had it not been for the debate that raged after the announcement of the winner. The jury’s award to L. Jacques Galland and Esprit Gibelin contrasted with the critical reception that favored the designs of Swiss artist Eugène Grasset. The discussions surrounding the competition reveal disagreement over how best to materialize the past in French stained glass, what techniques should be deployed to produce architecturally consistent windows, and the response to technological advances that were widely used by commercial firms producing windows for middle-class audiences. The article demonstrates how technique, technology, and the question of “how it was made” were key factors in shaping critical judgment of medieval revival in one of France’s illustrious decorative art traditions.

Item Type: Article
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Faculty / Department: Faculty of Arts & Humanities > Fine and Applied Art (up to 30th April 2018)
Depositing User: Angela Duckworth
Date Deposited: 18 Mar 2019 09:12
Last Modified: 18 Mar 2019 09:12
URI: http://hira.hope.ac.uk/id/eprint/2789

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